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Nevermore's debut album shows the basic
elements of the band's later, more complete sound, it's generally less intense
and energetic than DHiaDW and less atmospheric and cohesive than DNB. However
as an album independent of such illustrious company it stands out pretty well
despite it's slight monotony.
This album is centered on crushing,
mid–paced riffing and obviously Warrel Dane's high–pitched vocals. Of the eight
tracks only one is a full on thrasher ('Sea Of Possibilities') while the others
are either in the Nevermore school of ballad ('The Sanity Assassin', The
Hurting Words') or lethargic chord use strung together with slow–speed metal
riffs (everything else). Whilst the elements are all recognisable as Nevermore
and the meeting of lyrics, vocals and music is still as sublime as always it's
a less compelling listen than the later material. Where the later albums
succeed is more variety, more speed, more vitriol. . there just isn't the
abundance of attitude in the components of this album. What it sounds like is
that Warrel Dane and Jim Sheppard are still shaking off the prog–metal
tendencies of former outfit Sanctuary. It also sounds a little. . dated? This
isn't helped by a slightly weak mix and hollow drum sound.
For the lack of attitude this is still a
pretty fine album. It survives repeated listens and often sticks in the CD
player for a couple of days because, in terms of musicianship and songwriting,
it is still a pretty strong record. The riffs are pure trademark Loomis the
vocals are less refined and slightly edgier and though the drumming never
really gets into gear it's got that familiar and unique style.
Overall
it's a good slab of music that documents a band jumping into it's sound with a
fair amount on conviction and success.