

In Roman
mythology, fauns are
place-spirits (genii) of untamed woodland. Romans connected their fauns
with the Greek satyrs, wild and orgiastic drunken followers of Dionysus. However,
fauns and satyrs were originally quite different creatures. Both have horns and
both resemble goats below the waist, humans above; but originally satyrs had
human feet, fauns goatlike
hooves. The Romans also had a god named Faunus and a goddess Fauna, who, like
the fauns, were goat-people.
The Barberini
Faun (Glyptothek, Munich, Germany) is a Hellenistic marble, c. 200 BC that was
found in the Mausoleum of the Emperor Hadrian (the Castel
Sant'Angelo) and installed at Palazzo Barberini by
Cardinal Maffeo Barberini
(later Pope Urban VIII), the patron of Bernini, who heavily restored and
refinished it, so that its present 'Hellenistic baroque' aspect may be
enhanced.
The Marble
Faun (1860) is a novel by
Nathaniel Hawthorne set in
In C.S. Lewis' classic, The Lion, the Witch, and the
Wardrobe, a faun named Mr. Tumnus is the first
creature Lucy meets in Narnia.
Oliver Sa Tyr
vocals, bouzouki, celtic harp, Jew's harp
Lisa Pawelke
vocals, hurdy-gurdy
Fiona Ruggeberg
vocals, whistle, bagpipe, recorder
Niel Mitra
synthesizer, sampler, sequencer
Rudiger Maul
darabukka, davul, tar,
percussion
Faun –
Renaissance
Only ever so often music from the middle ages
sounds so magical and mythical as by Faun. Every fan of serene Folk/Pagan/Medieval Progressive Rock. will love this band and its music.Fans of heavy rock or Progressive metal should stay
far away. They will hate this and probably fall right asleep.This
recording will be of interest to fans of the Fairport Convention,Fotheringay and those who like traditional folk with
progressive edges...”
01. Satyros 3:36 min.
With lyrics from the Carmina Burana Faun has created a new song. This song (and
thus the album) starts of with the sweet voices of Lisa and Fiona. Then the
drums set in. Little laughs and flutes give the song a light element. It is as
if you hear the dryads and fauns have a party in the woods.
02. Da que Deus 3: 53 min.
The virgin mary performs a miracle and is thus praised
for this. A cheerful song with a thriving melody but also
some slower and softer, more sacred moments. Not only the vocals tell a
story, so does the flute.
03. Tagelied 5:01 min.
A song about leaving each other and returning, a song about
love. On the rhythm of a waltz you are lead through the song. The lyrics
are easy to understand, and remember. It is a sweet melody with at times just a
little extra emphasis on the low tunes giving the song an extra tension.
04. Rhiannon 3:28 min.
Rhiannon contains no vocals. A song about Rhiannon from the Welsh mythology,
and hter messengers, the songbirds form the Celtic Otherworld. The song is
carried on ongoing beats which obviously come from the laptop of Niel. Besides
that there are ongoing drums and a higher melody which I think is produced by
the hurdy-gurdy of Lisa. It is a song which gets you moving.
05. Sirena 5:11 min.
This lyrics of this song come from a Sephardic wedding
song, Faun has written music to these lyrics. The song has an eastern sound to
it, because of the instruments which are used and the rhythm. After the ocean
sounds which open the song, drums set in and then you’ll hear the sirens (Lisa
and Fiona) which are part of this story. They sing the song in its original
language which is a bit like Italian.
06. Königin 6:25 min.
A sad and slow song about a king trapped in his own castle and the young girl
in the valley who makes him realise how silly his earthly worries are. You hear
the girl (Lisa) sing her song, guided by a light snare instrument and when the
vocals seize there is the sound of a flute. Through these light instruments you
can hear the hope which is embedded in this song.
07. Iyansa 4:51 min.
A song to evoke the Afro-Brazilian Goddes of the wind. Faun uses the
traditional text and the music is part traditional, part Faun. A flute
calls out to the wind and then the vocals set in. The lyrics, even though you
can’t understand them are easy to remember and like the rhythm they could get
you in a trance if you’d repeat the over and over again. The drums have a
steady rhythm which builds up to an outburst at the end of the song.
08. Loibere Risen 3:33 min.
This is a ‘minnelied’ by Wizlaw von Rügen, dung by Lisa. About
how love would make a difference between the horrible winter and wonderful
times. The song has a slow rhythm and is guided by (I think) the Celtic
Harp. It could easily guide you into wonderful dream.
09. Rosmarin 6:44 min.
“A song about a beloved who seems to have become the slave of a far-away aim,
her paths are lined with rosemary”. The song is sung by the lover who stays
behind (Oliver). In the melody of the song you can hear the steps of the lover
and her winding paths. At one point in the song there is a silence and then
slowly the beat is built up again to what it was and then one line of a chorus
is repeated on and on, by the other lover, then fading to silence again.
10. Das Tor 8:12 min.
This song is written by a friend of Faun, a friend they have now lost. It is
about the gate, the gate to the other side. Even though the melody is sad and
the rhythm is slow there is a reassuring peace in it. The lyrics
are beautiful.
© The Doorway Master